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October 11, 2008 About

Welcome

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Photo from R&D, work in progress, Chrysalis 2006

Welcome to my site.

What follows is a combination of review, association and research - a place for me to store ideas, share work and try things out.

My current R&D focuses on the biological origins of the embryonic heart, the beauty and the mystery of the morphogenetic process, and the visual poetry of the beating heart and flowing blood. In my research, as always, I'm trying to explore how aspects of human biology can become more directly accessible in emotional and aesthetic terms.

 

October 3, 2008 About

About the Artist

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Kathleen Rogers is a London based contemporary artist. Her installation and video projection artworks are inspired and informed by the scientific disciplines of cell biology, molecular genetics and the biological sciences. She has exhibited internationally in public and contemporary art museums, festivals and conferences in Europe and the USA in contexts for interdisciplinary art, science and technology. Most recently at the newly refurbished Royal Institution of Great Britain, London (2008) Zentrum Paul Klee, Bern, Switzerland( 2008) Centaal Museum, Utrecht, Netherlands (2007) and Mutamorphosis, Prague (2007). She collaborates with others in an interdisciplinary context to develop artworks on the themes of consciousness, ecology, biology and genetics.

Some background

In 1985 she obtained her MA degree in Experimental Media from the Slade School of Art London University College, UK.

Earlier exhibitions include, the Central Space Gallery (London, 1990), the Exeter Memorial Museum (Exeter, 1991), the Walter Phillips Gallery (Canada, 1992), the Virtual Museum (Cleveland, 1995), the Belluard Bulwark (Switzerland, 1996), the Institute of Contemporary Arts (London, 1996), the Centre for Contemporary Arts (Vilnius, 1998), the Millais Gallery (Southampton, 1999), the Kettles Yard Gallery (NOISE Project, Cambridge, 2000), the Headlands Centre for the Arts, (Marin, USA, 2001) the Lab (The Gateway Project, San Francisco, 2002), the National Gallery for the Arts, (Onufri, Tirana, 2003) and many others; also within the frameworks of "State of the Image" (Antwerp, Cultural Capital of Europe, 1993). Her video works have been screened at festivals such as Ars Electronica (Linz), Femme Totalle (Dortmund), the European Media Art Festival (Osnabruck), the New Visions Media Festival (Glasgow), the Video Fest (Berlin), Konzept Art von Frauen (Bremen), Video Positive (Liverpool), the Edinburgh Film Festival (Edinburgh) and others. Lectures and presentations given at different conferences and symposiums at venues such as the British Film Institute (London), the Royal College of Art (London), I.S.E.A. (Helsinki), the University of Wales ( Consciousness Reframed, Newport), Cambridge University (National Science Week, Cambridge), Berkeley University (American Association of Anthropology, USA), University of Arizona (Towards a Science of Consciousness), University of Northern Arizona (Arts, Culture, Nature, USA), also at the French Ministry of Culture, (Paris) and "Documenta X" (Kassel).

 

October 2, 2008 Journal

Crossing Over

My current exhibition, Cocoon is a dual video projection installation. Cocoon was designed for the context and architectural setting of the glass atrium as part of Crossing Over at the Royal Institution of Great Britain. A series of exhibitions have been installed throughout the newly refurbished building, located at Albemarle Street.

Cocoon is showing alongside work from Material Beliefs, Anne Brodie, Alex Bunn, Eggebert-and-Gould, Carl Stevenson and Phoebe von Held as exhibitors. Curated by Caterina Albano and Rowan Drury of ARTAKT the show explores exchanges in art & biotechnologies.

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The Londonist

 

August 14, 2008 Work

Evolution Haute Couture

EVOLUTION HAUTE COUTURE
Art and Science in the Post-Biological Age
The National Centre for Contemporary Arts
Kaliningrad, Russia.

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Video document as part of an international project with: Mauro Annunziato & Piero Pierucci /James Auger and Jimmy Loizeau / Brandon Ballengee / Laura Beloff / David Bowen / Oron Catts & Ionat Zurr / Carlos Corpa / Critical Art Ensemble / Joe Davis / Marta de Menezes / Louis-Philippe Demers / Erwin Driessens & Maria Verstappen / Tagny Duff / Arthur Elsenaar & Remko Scha / Julie Freeman / Paula Gaetano Adi / George Gessert / Ken Goldberg / Isa Gordon / Andy Gracie / Paul Granjon / Mateusz Herczka / Floris Kaayk / Verena Kaminiarz / Leonel Moura / Orlan / Steve Potter & SymbioticA / Nicolas Reeves / Natasha Vita-More / Ken Rinaldo / Kathleen Rogers / Phill Ross / Adrian David Cheok / Stelarc / Paul Thomas / Tanja Visosevic & Guy Ben-Ary / Bill Vorn / Adam Zaretsky

Curated by Dmitry Bulatov on themes associated with technologies of the XXI Century as a medium of implementation in the field of artificial life, robotics and bioengineering.

Further exhibition in the framework of the IX MediaForum 2008 as part of the XXX Moscow International Film Festival (MIFF).

Collection as part of the The International Video Documentation Archives at The National Centre for Contemporary Arts, Kaliningrad, Russia.

 

June 14, 2008 Work

Sensual Technologies

Artist presenter at the interdisciplinary conference Sensual Technologies at the ICA, London. The event was a one-day international symposium from The Brunel School of Arts, Sensual Technologies. It explored alternate and aesthetic uses of technology that extend artistic practice beyond the expected, into realms of unusual and heightened experience.

The conference was led by Stelarc, Johannes Birringer and Susan Broadhurst, and featured presentations from theorists and practitioners of performance, dance, music and electronic media arts. The contributors to this event were leading practitioners and theorists offering diverse perspectives to the debate. They included Roy Ascott, Roger Malina, Jill Scott, Gary Hall, Rachel Armstrong, Paul Brown, Louis-Philippe Demers, Marta De Menezes, Kira O’Reilly, Kathleen Rogers, Paul Sermon, Theodore Spyropoulos, Atau Tanaka and Andrea Zapp.
Brunel's School of Arts on-line Journal: Body, Space & Technology

 

Current Projects

Journal Crossing Over

My current exhibition, Cocoon is a dual video projection installation. Cocoon was designed for the context and architectural setting of the glass atrium as part of Crossing Over at the Royal Institution of Great Britain. A series of exhibitions have...

Work Evolution Haute Couture

EVOLUTION HAUTE COUTURE Art and Science in the Post-Biological Age The National Centre for Contemporary Arts Kaliningrad, Russia. Video document as part of an international project with: Mauro Annunziato & Piero Pierucci /James Auger and Jimmy Loizeau / Brandon Ballengee...

Journal Mutamorphosis

Mutamorphosis Challenging Arts and Sciences Prague, Czechoslovakia. Presenter in the framework of the Leonardo 40th anniversary celebrations concerned with current directions in art and science. Joining international conference presenters with essay/text, Bacteria, Geology and Blood, based on artworks exploring themes...

Journal aminima

Publication of text in aminima. Art journal focusing on contemporary, conceptual, new media art. The magazine follows a methodology which resembles that of scientific magazines and the website contains an archive of texts written by people whose work reflects...

Work Tremor

Video projection and aquariums containing classically mutated zebrafish based on themes drawn from developmental biology and genetics. Commissioned by Dr Emilie Gomart, guest curator for the Centraal Museum, Utrecht as part of Genesis (Life at the end of the information...

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