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   <title>Kathleen Rogers</title>
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   <subtitle>Kathleen Rogers is an artist &amp; lecturer based in the UK. Her work is primarily concerned with science and technology.</subtitle>
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<entry>
   <title>Welcome</title>
   <link rel="alternate" type="text/html" href="http://www.kathleenrogers.co.uk/2008/10/welcome.htm" />
   <id>tag:www.kathleenrogers.co.uk,2006://1.51</id>
   
   <published>2008-10-11T12:47:44Z</published>
   <updated>2008-10-21T08:40:37Z</updated>
   
   <summary> Photo from R&amp;D, work in progress, Chrysalis 2006 Welcome to my site. What follows is a combination of review, association and research - a place for me to store ideas, share work and try things out. My current R&amp;D...</summary>
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<div class="caption">Photo from R&D, work in progress, Chrysalis 2006</div>

Welcome to my site.

What follows is a combination of review, association and research - a place for me to store ideas, share work and try things out. 

My current R&D focuses on the biological origins of the embryonic heart, the beauty and the mystery of the morphogenetic process, and the visual poetry of the beating heart and flowing blood. In my research, as always, I'm trying to explore how aspects of human biology can become more directly accessible in emotional and aesthetic terms. ]]>
      
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<entry>
   <title>About the Artist</title>
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   <published>2008-10-03T11:14:44Z</published>
   <updated>2008-10-21T08:39:19Z</updated>
   
   <summary> Kathleen Rogers is a London based contemporary artist. Her installation and video projection artworks are inspired and informed by the scientific disciplines of cell biology, molecular genetics and the biological sciences. She has exhibited internationally in public and contemporary...</summary>
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<strong>Kathleen Rogers</strong> is a London based contemporary artist. Her installation and video projection artworks are inspired and informed by the scientific disciplines of cell biology, molecular genetics and the biological sciences.  She has exhibited internationally in public and contemporary art museums, festivals and conferences in Europe and the USA in contexts for interdisciplinary art, science and technology. Most recently at the newly refurbished Royal Institution of  Great Britain, London (2008) Zentrum Paul Klee, Bern, Switzerland( 2008) Centaal Museum, Utrecht, Netherlands (2007) and Mutamorphosis, Prague (2007). She collaborates with others in an interdisciplinary context to develop artworks on the themes of consciousness, ecology, biology and genetics. 

<strong>Some background</strong>

In 1985 she obtained her MA degree in Experimental Media from the <a href="http://www.ucl.ac.uk/slade/homepage.html">Slade School of Art </a> London University College, UK.

Earlier exhibitions include, the Central Space Gallery (London, 1990), the Exeter Memorial Museum (Exeter, 1991), the Walter Phillips Gallery (Canada, 1992), the Virtual Museum (Cleveland, 1995), the Belluard Bulwark (Switzerland, 1996), the Institute of Contemporary Arts (London, 1996), the Centre for Contemporary Arts (Vilnius, 1998), the Millais Gallery (Southampton, 1999), the Kettles Yard Gallery (NOISE Project, Cambridge, 2000), the Headlands Centre for the Arts, (Marin, USA, 2001) the Lab (The Gateway Project, San Francisco, 2002), the National Gallery for the  Arts, (Onufri, Tirana, 2003)  and many others; also within the frameworks of "State of the Image" (Antwerp, Cultural Capital of Europe, 1993). Her video works have been screened at festivals such as Ars Electronica (Linz), Femme Totalle (Dortmund), the European Media Art Festival (Osnabruck), the New Visions Media Festival (Glasgow), the Video Fest (Berlin), Konzept Art von Frauen (Bremen), Video Positive (Liverpool), the Edinburgh Film Festival (Edinburgh) and others. Lectures and presentations given at different conferences and symposiums at venues such as the British Film Institute (London), the Royal College of Art (London), I.S.E.A. (Helsinki), the University of Wales ( Consciousness Reframed, Newport), Cambridge University (National Science Week, Cambridge), Berkeley University (American Association of Anthropology, USA), University of Arizona (Towards a Science of Consciousness), University of Northern Arizona (Arts, Culture, Nature, USA), also at the French Ministry of Culture, (Paris) and "Documenta X" (Kassel). 



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<entry>
   <title>Crossing Over</title>
   <link rel="alternate" type="text/html" href="http://www.kathleenrogers.co.uk/2008/10/crossing_over.htm" />
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   <published>2008-10-02T15:36:25Z</published>
   <updated>2008-10-17T09:15:00Z</updated>
   
   <summary>My current exhibition, Cocoon is a dual video projection installation. Cocoon was designed for the context and architectural setting of the glass atrium as part of Crossing Over at the Royal Institution of Great Britain. A series of exhibitions have...</summary>
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      <![CDATA[My current exhibition, Cocoon is a dual video projection installation.  Cocoon was designed for the context and architectural setting of the glass atrium as part of <a href="http://www.crossingover-exhibition.co.uk/">Crossing Over</a> at the <a href="http://www.rigb.org/contentControl?action=displayContent&id=00000002414">Royal Institution of Great Britain</a>.  A series of exhibitions have been installed throughout the newly refurbished building, located at Albemarle Street. 

Cocoon is showing alongside work from Material Beliefs, Anne Brodie, Alex Bunn, Eggebert-and-Gould, Carl Stevenson and Phoebe von Held as exhibitors. Curated by Caterina Albano and Rowan Drury of <a href="http://www.csm.arts.ac.uk/csm_artakt.htm">ARTAKT</a> the show explores exchanges in art & biotechnologies.

<img alt="webcocoon01.jpg" src="http://www.kathleenrogers.co.uk/gfx/webcocoon01.jpg" width="460" height="275" />

<img alt="webcocoon02.jpg" src="http://www.kathleenrogers.co.uk/gfx/webcocoon02.jpg" width="460" height="275" />

 <a href="http://londonist.com/2008/10/crossing_over_the_royal_institution.php">The Londonist</a> 



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<entry>
   <title>Evolution Haute Couture</title>
   <link rel="alternate" type="text/html" href="http://www.kathleenrogers.co.uk/2008/08/evolution_haute_couture.htm" />
   <id>tag:www.kathleenrogers.co.uk,2008://1.57</id>
   
   <published>2008-08-14T15:24:34Z</published>
   <updated>2008-10-16T17:36:25Z</updated>
   
   <summary>EVOLUTION HAUTE COUTURE Art and Science in the Post-Biological Age The National Centre for Contemporary Arts Kaliningrad, Russia. Video document as part of an international project with: Mauro Annunziato &amp; Piero Pierucci /James Auger and Jimmy Loizeau / Brandon Ballengee...</summary>
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      <![CDATA[<a href="http://www.ncca-kaliningrad.ru/index.php?name=News&file=article&sid=89">EVOLUTION HAUTE COUTURE</a>
Art and Science in the Post-Biological Age  
The National Centre for Contemporary Arts 
Kaliningrad, Russia.

<img alt="still%20haute%20couture.jpg" src="http://www.kathleenrogers.co.uk/gfx/still%20haute%20couture.jpg" width="460" height="275" />

Video document as part of an international project with: Mauro Annunziato & Piero Pierucci /James Auger and Jimmy Loizeau / Brandon Ballengee / Laura Beloff / David Bowen / Oron Catts & Ionat Zurr / Carlos Corpa / Critical Art Ensemble / Joe Davis / Marta de Menezes / Louis-Philippe Demers / Erwin Driessens & Maria Verstappen / Tagny Duff / Arthur Elsenaar & Remko Scha / Julie Freeman / Paula Gaetano Adi / George Gessert / Ken Goldberg / Isa Gordon / Andy Gracie / Paul Granjon / Mateusz Herczka / Floris Kaayk / Verena Kaminiarz / Leonel Moura / Orlan / Steve Potter & SymbioticA / Nicolas Reeves / Natasha Vita-More / Ken Rinaldo / Kathleen Rogers / Phill Ross / Adrian David Cheok / Stelarc / Paul Thomas / Tanja Visosevic & Guy Ben-Ary / Bill Vorn / Adam Zaretsky

Curated by <a href="http://ncca-kaliningrad.ru/biomediale/?mode=bio&blang=english&author=bulatov">Dmitry Bulatov</a> on themes associated with  technologies of the XXI Century as a medium of implementation in the field of artificial life, robotics and bioengineering.

Further exhibition in the framework of the IX MediaForum 2008 as part of the XXX Moscow International Film Festival (MIFF).

Collection as part of the The International Video Documentation Archives at The National Centre for Contemporary Arts, Kaliningrad, Russia.]]>
      
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<entry>
   <title>Sensual Technologies</title>
   <link rel="alternate" type="text/html" href="http://www.kathleenrogers.co.uk/2008/06/sensual_technologies.htm" />
   <id>tag:www.kathleenrogers.co.uk,2008://1.59</id>
   
   <published>2008-06-14T15:46:48Z</published>
   <updated>2008-10-14T19:56:02Z</updated>
   
   <summary>Artist presenter at the interdisciplinary conference Sensual Technologies at the ICA, London. The event was a one-day international symposium from The Brunel School of Arts, Sensual Technologies. It explored alternate and aesthetic uses of technology that extend artistic practice beyond...</summary>
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      <![CDATA[Artist presenter at the interdisciplinary conference <a href="http://www.ica.org.uk/Sensual%20Technologies+16887.twl">Sensual Technologies</a> at the ICA, London. The event was a one-day international symposium from The Brunel School of Arts, Sensual Technologies. It explored alternate and aesthetic uses of technology that extend artistic practice beyond the expected, into realms of unusual and heightened experience. 

The conference was led by Stelarc, Johannes Birringer and Susan Broadhurst, and featured presentations from theorists and practitioners of performance, dance, music and electronic media arts. The contributors to this event were leading practitioners and theorists offering diverse perspectives to the debate. They included Roy Ascott, Roger Malina, Jill Scott, Gary Hall, Rachel Armstrong, Paul Brown, Louis-Philippe Demers, Marta De Menezes, Kira O’Reilly, Kathleen Rogers, Paul Sermon, Theodore Spyropoulos, Atau Tanaka and Andrea Zapp.
<a href="http://people.brunel.ac.uk/bst/non_ie.html">Brunel's School of Arts on-line Journal: Body, Space & Technology</a> 

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<entry>
   <title>Hybrid</title>
   <link rel="alternate" type="text/html" href="http://www.kathleenrogers.co.uk/2008/05/hybrid.htm" />
   <id>tag:www.kathleenrogers.co.uk,2008://1.60</id>
   
   <published>2008-05-14T15:55:36Z</published>
   <updated>2008-10-14T17:09:07Z</updated>
   
   <summary>Hybrid - Reflections on Art and Science Museo Nacional de Soares Dos Reis Porto, Portugal. Exhibition of Tremor video document as part of an international exhibition of art and science collaborations. Curated by Marta de Menezes in co-operation with the...</summary>
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      <![CDATA[<a href="http://www.ibmc.up.pt/hybrid/content.php?menu=4&submenu=56">Hybrid - Reflections on Art and Science</a>
Museo Nacional de Soares Dos Reis
Porto, Portugal.

Exhibition of Tremor video document as part of an international exhibition of art and science collaborations. Curated by Marta de Menezes in co-operation with the Associate Laboratory IBMC/INEB and <a href="http://www.igc.gulbenkian.pt/node/view/117">ECTOPIA</a>  

Joining an international group exhibition featuring, Symbiotica, Marta de Menezes, Jill Scott, George Gessert.

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<entry>
   <title>Confronting Mortality</title>
   <link rel="alternate" type="text/html" href="http://www.kathleenrogers.co.uk/2007/10/confronting_mortality.htm" />
   <id>tag:www.kathleenrogers.co.uk,2007://1.61</id>
   
   <published>2007-10-14T17:46:27Z</published>
   <updated>2008-10-14T19:42:49Z</updated>
   
   <summary>Confronting Mortality with Art and Science Antwerp, Belgium. Opening doors between the worlds of art and science. Curated photographs presented as part of on-line gallery in association with conference and gallery exhibition. AEIMS (EU) MAA (UK) AMI (USA) Vesalius Trust...</summary>
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      <![CDATA[<a href="http://www.artem-medicalis.com/congres/brain.htm">Confronting Mortality with Art and Science</a>
Antwerp, Belgium.

Opening doors between the worlds of art and science.
Curated photographs presented as part of on-line gallery in association with conference and gallery exhibition. 

AEIMS (EU)  MAA (UK)  AMI (USA) Vesalius Trust (USA)
The joint Annual Meeting of the Association Européenne des Illustrateurs Médicaux et Scientifiques (AEIMS) and the Medical Artists’ Association of Great Britain (MAA) held 18-20 October in Antwerp, Belgium, on the theme “Confronting Mortality with Art and Science”

<a href="http://www.allbookstores.com/book/9789054874430/Pascale_Pollier-Green/Confronting_Mortality_With_Art_And_Science.html">Organisors</a>: Pascale Pollier-Green, Medical Artist Chantal Pollier, Sculptor/psychologist Ann Van de Velde, Haematologist

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<entry>
   <title>Mutamorphosis</title>
   <link rel="alternate" type="text/html" href="http://www.kathleenrogers.co.uk/2007/10/mutamorphosis.htm" />
   <id>tag:www.kathleenrogers.co.uk,2007://1.54</id>
   
   <published>2007-10-06T17:03:16Z</published>
   <updated>2008-10-14T19:36:58Z</updated>
   
   <summary>Mutamorphosis Challenging Arts and Sciences Prague, Czechoslovakia. Presenter in the framework of the Leonardo 40th anniversary celebrations concerned with current directions in art and science. Joining international conference presenters with essay/text, Bacteria, Geology and Blood, based on artworks exploring themes...</summary>
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      <![CDATA[Mutamorphosis Challenging Arts and Sciences 
Prague, Czechoslovakia.

Presenter in the framework of the Leonardo 40th anniversary celebrations concerned with current directions in art and science.

Joining international conference presenters with essay/text, Bacteria, Geology and Blood, based on artworks exploring themes of developmental biology and evolutionary symbiosis. 

<a href="http://www.mutamorphosis.org/index.php?lang=en&node=101">MutaMorphosis: Challenging Arts and Sciences</a> International Conference organised by CIANT as part of the <a href="http://www.leonardo.info/">Leonardo 40th anniversary</a> celebrations. 

<div class="quotation">
The conference exploring the major mutations that are affecting the future of our world. Artists, scientists and researchers will present papers on the evolution of life and the societies they constitute, and on modes of knowledge, expression and communication of humans, animals and other forms of life.

The event will concentrate on the growing interest -- within the worlds of the arts, sciences and technologies -- in EXTREME AND HOSTILE ENVIRONMENTS. These environments appear as symptomatic indicators of the mutations that are taking place; they are potential vectors that make possible an awareness of the different problems at the origin of the disturbances that threaten the ensemble of the Earth’s eco-systems.</div>]]>
      
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<entry>
   <title>aminima</title>
   <link rel="alternate" type="text/html" href="http://www.kathleenrogers.co.uk/2007/08/aminima.htm" />
   <id>tag:www.kathleenrogers.co.uk,2007://1.56</id>
   
   <published>2007-08-23T15:57:33Z</published>
   <updated>2007-08-24T17:44:10Z</updated>
   
   <summary> Publication of text in aminima. Art journal focusing on contemporary, conceptual, new media art. The magazine follows a methodology which resembles that of scientific magazines and the website contains an archive of texts written by people whose work reflects...</summary>
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      <![CDATA[<img alt="aminima.jpg" src="http://www.kathleenrogers.co.uk/gfx/aminima.jpg" width="460" height="275" />

Publication of text in <a href="http://aminima.net/">aminima</a>. Art journal focusing on contemporary, conceptual, new media art. The magazine follows a methodology which resembles that of scientific magazines and the website contains an archive of texts written by people whose work reflects on aesthetic, technological and political issues.

<a href="http://www.we-make-money-not-art.com/archives/009682.php">We Make Money not Art</a>]]>
      
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<entry>
   <title>Tremor</title>
   <link rel="alternate" type="text/html" href="http://www.kathleenrogers.co.uk/2007/05/tremor.htm" />
   <id>tag:www.kathleenrogers.co.uk,2007://1.53</id>
   
   <published>2007-05-05T17:43:46Z</published>
   <updated>2008-10-14T19:46:36Z</updated>
   
   <summary>Video projection and aquariums containing classically mutated zebrafish based on themes drawn from developmental biology and genetics. Commissioned by Dr Emilie Gomart, guest curator for the Centraal Museum, Utrecht as part of Genesis (Life at the end of the information...</summary>
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      <![CDATA[Video projection and aquariums containing classically mutated zebrafish based on themes drawn from developmental biology and genetics.  Commissioned by <a href="http://www.fmg.uva.nl/perform/object.cfm/objectid=4BA067E0-BAD4-47DD-852CB6A8535CAEC8">Dr Emilie Gomart</a>, guest curator for the <a href="http://www.centraalmuseum.nl/page.ocl?pageid=48">Centraal Museum, Utrecht</a>  as part of <a href="http://www.centraalmuseum.nl/page.ocl?pageid=133&expo_id=154&filter=3">Genesis</a> (Life at the end of the information age), an international exhibition featuring work from artists and scientists and describing parallels between art, the life sciences, computer technology and genetics and presenting key historical models of life systems such as the Crick and Watson DNA model, early computer films, cybernetic art, genetic artefacts and live organisms.

<img alt="Untitled-5.jpg" src="http://www.kathleenrogers.co.uk/gfx/Untitled-5.jpg" width="460" height="111" />

<img alt="genesisspawn1.jpg" src="http://www.kathleenrogers.co.uk/gfx/genesisspawn1.jpg" width="460" height="275" />
<div class="caption">Still from video installation, Tremor, Genesis 2007</div>

<img alt="spawn1.jpg" src="http://www.kathleenrogers.co.uk/gfx/spawn1.jpg" width="460" height="275" />
<div class="caption">Still from video installation, Tremor, Genesis 2007</div>

Zebrafish are part of a pantheon of model organisms deliberately bred to study vertabrate development. The fish are small and breed quickly and inexpensive to maintain in large numbers and they are used to search for mutations randomly and then selectively bred. Several genes that control the expression of the human body plan have nucleotide sequences found in a common pattern in zebrafish. These patterns are exposed in the zebrafish genome using Mendelian forward genetics. 

Microscopic evaluations capture the essence of the life force as movement, but paradoxically, making and umaking the gene requires a pathological trespass into the mystery it seeks to reveal. In the microscopic study of fetal growth in living mutations, physical contact and looking create tremors and palpitations that are tactile and reactive and invariably fatal.  Visual distortions, physical vibrations, reflections, shadows, scratches, detritus and microbial parasites randomly appear. In Tremor, the difficult co-ordination of the eye and hand, the limitations of a fixed viewpoint and narrow field of view, the optical ambiguities, crude movements, anticipated touch and sensory detail are used to engage the viewer in a visceral and psychological reading of a mediated life form. 

<img alt="genesisspawn2.jpg" src="http://www.kathleenrogers.co.uk/gfx/genesisspawn2.jpg" width="460" height="275" />
<div class="caption">Still from video installation, Tremor, Genesis 2007</div>

<img alt="Untitled-3.jpg" src="http://www.kathleenrogers.co.uk/gfx/Untitled-3.jpg" width="460" height="111" />

<img alt="Untitled-2.jpg" src="http://www.kathleenrogers.co.uk/gfx/Untitled-2.jpg" width="460" height="111" />

<img alt="genesisshelf4.jpg" src="http://www.kathleenrogers.co.uk/gfx/genesisshelf4.jpg" width="460" height="275" />
<div class="caption">Photo, Aquariums of mutant zebrafish from installation, Tremor, Genesis 2007</div>

Tremor was made with the scientific facilities and support in the Netherlands and the UK. Video microscopy facilities and collaboration were generously provided by <a href="http://www.ucl.ac.uk/zebrafish-group/research/research.php">Jonathan Clarke</a> and <a href="http://www.anat.ucl.ac.uk/research/becker/davidbecker.htm">David Becker</a> at the Centre for Cell and Molecular Dynamics, University College, London and Carole Wilson, manager of <a href="http://www.ucl.ac.uk/zebrafish-group/">UCL Zebrafish Facility</a>. Zebrafish were donated by Bas Defize and Dr. S. Schulte-Merker from the <a href="http://www.niob.knaw.nl/">Hubrecht Laboratory</a>.  Audio design made in collaboration with <a href="http://www.resonantspace.co.uk">David Strang</a>.



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<entry>
   <title>Art of Creation</title>
   <link rel="alternate" type="text/html" href="http://www.kathleenrogers.co.uk/2007/01/art_of_creation.htm" />
   <id>tag:www.kathleenrogers.co.uk,2007://1.55</id>
   
   <published>2007-01-08T16:32:18Z</published>
   <updated>2008-10-14T16:10:46Z</updated>
   
   <summary>Exhibition of installation, Tremor within international event, Genesis - The Art of Creation, Zentrum Paul Klee, Berne, Switzerland. Genesis, Analysis, Code, Playing Games and Chaos – these are the five dramatic focal points of this exhibition. They connect and combine...</summary>
   <author>
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      <![CDATA[Exhibition of installation, <strong>Tremor</strong> within international event, Genesis - The Art of Creation,<a href="http://www.museen-bern.ch/177.html?&L=2&tx_ttnews[tt_news]=489&tx_ttnews[backPid]=144&cHash=4346fe76d4"> Zentrum Paul Klee, Berne, Switzerland.</a>

<div class="quotation">
Genesis, Analysis, Code, Playing Games and Chaos – these are the five dramatic focal points of this exhibition. They connect and combine scientific and artistic aspects of genetics and creation in a dramatically designed presentation of paintings, interactive installations, light installations, video projections, cartoons, photographs and sculptures by international artists.

The exhibition featured artworks by, Jean Arp, Aziz & Cucher, Joseph Beuys, Christine Borland, Jaq Chartier, Agnes Denes, Mark Dion, Charles & Ray Eames, Mark Francis, Herbert W. Franke, David Fried, Fritz Glarner, Antony Gormley, Thomas Grünfeld, Mona Hatoum, Georg Herold, Floris Kaayk, Eduardo Kac, Wassily Kandinsky, Paul Klee , Thomas Kovachevich, Sol LeWitt, Aaron Marcus, Larry Miller, Vera Molnar, Piet Mondrian, Frieder Nake, Bruce Nauman, Georg Nees, Michel Paysant, Marc Quinn, Dieter Roth, Christa Sommerer & Laurent Mignonneau, Tomas Schmit, Lillian Schwartz, Karl Sims, Rudolf Steiner, Koen Vanmechelen, Woody & Steina Vasulka

According to Curator, Fabienne Eggelhöfer, these heterogeneous exhibits were designed to convey the most significant research results of the 20th and 21st centuries, placing them in an artistic context that confirms this issue's relevance to society, its wide emotional spectrum and its decade-long, unchanging political importance.

Genesis – The Art of Creation was an international exhibition located at the prestigious PAUL KLEE MUSEUM in Bern, Switzerland and curated in the ethos of interdisciplinary artistic expression. The exhibition theme described parallel developments and interactions in artistic and scientific methodologies. 



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</entry>
<entry>
   <title>Polka</title>
   <link rel="alternate" type="text/html" href="http://www.kathleenrogers.co.uk/2006/12/silence.htm" />
   <id>tag:www.kathleenrogers.co.uk,2006://1.52</id>
   
   <published>2006-12-11T21:51:40Z</published>
   <updated>2007-05-05T17:48:39Z</updated>
   
   <summary>I&apos;m working on a recording project that explores the irregular heart beat in transgenic zebrafish. Measurements of electrical activity of different chambers and areas of the living heart are made to resemble maps. In developmental genetics the zebrafish genes are...</summary>
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      <name></name>
      
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   <category term="25" label="heart" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="34" label="heartbeat" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="35" label="polka" scheme="http://www.sixapart.com/ns/types#tag" />
   
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      <![CDATA[I'm working on a recording project that explores the irregular heart beat in transgenic zebrafish. 

Measurements of electrical activity of different chambers and areas of the living heart are made to resemble maps. In developmental genetics the zebrafish genes are labelled to indicate how specific genes affect the pulse of the heart. As they are discovered, researchers give specific heartbeat patterns names of novels, songs and dances. 

<img alt="heartbeatwordsbw.jpg" src="http://www.kathleenrogers.co.uk/gfx/heartbeatwordsbw.jpg" width="460" height="275" />

<img alt="zfishswimword.jpg" src="http://www.kathleenrogers.co.uk/gfx/zfishswimword.jpg" width="460" height="275" />











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</entry>
<entry>
   <title>Cardiogenesis</title>
   <link rel="alternate" type="text/html" href="http://www.kathleenrogers.co.uk/2006/10/trecht_heart_storming.htm" />
   <id>tag:www.kathleenrogers.co.uk,2006://1.36</id>
   
   <published>2006-10-31T08:32:27Z</published>
   <updated>2007-05-07T21:33:03Z</updated>
   
   <summary>Work in progress based on initial meetings with researchers at the Netherlands Royal Academy of Arts and Science, Hubrecht Developmental Biology Lab, Utrecht University. From my Project Notebooks: Genetic Sculpture The themes of this project focus on the signals of...</summary>
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      <name></name>
      
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   <category term="26" label="cells" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="20" label="current" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="25" label="heart" scheme="http://www.sixapart.com/ns/types#tag" />
   
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      <![CDATA[Work in progress based on initial meetings with researchers at the Netherlands Royal Academy of Arts and Science, <a href="http://www.niob.knaw.nl/">Hubrecht Developmental Biology Lab</a>, Utrecht University. 

From my Project Notebooks:

<strong>Genetic Sculpture</strong>
The themes of this project focus on the signals of life and death and how these are built into the biochemical instructions of the living cell. Installation artworks are planned that will present and explore how the architecture of the body is genetically determined  based on living heart morphogenesis and the prolonging of the limbo state.

<img alt="heartfungus.jpg" src="http://www.kathleenrogers.co.uk/gfx/heartfungus.jpg" width="460" height="275" /><div class="caption"> This is work in progress. A still from a time-lapse video of Oyster Mushrooms <em>Pleurotus Ostreatus</em></div>

<strong>Conserved Topography</strong>
Genes that disrupt pathways associated with cytoskeleton, cell adhesion or formation of a highly organised extracellular matrix during organ formation have the potential of perturbing normal heart looping as well as the formation of a single heart tube. In addition, if there are perturbations resulting in endocardial changes and the dorsal mesocardium, these will also have adverse effects on looping.  What causes cells to line up and make a heart tube ? How are pre-cardiac cells at the molecular level identified? In exploring the embryonic stages leading from early gastrulation to the formation of a tubular heart the work will evoke the implications of genetic metaphors and allow spectators to remotely view the signals of death in the genesis of life.

<img alt="heartbw1.jpg" src="http://www.kathleenrogers.co.uk/gfx/heartbw1.jpg" width="460" height="275" />
<div class="caption">Heart cross section</div>

<div class="caption">Notebook Drawings</div>

<img alt="heartvessles.jpg" src="http://www.kathleenrogers.co.uk/gfx/heartvessles.jpg" width="460" height="275" />

<img alt="heartcompbu.jpg" src="http://www.kathleenrogers.co.uk/gfx/heartcompbu.jpg" width="460" height="275" />

<img alt="hearttube.jpg" src="http://www.kathleenrogers.co.uk/gfx/hearttube.jpg" width="460" height="275" />

<img alt="heartdrawing2.jpg" src="http://www.kathleenrogers.co.uk/gfx/heartdrawing2.jpg" width="460" height="275" />

<img alt="heartdots.jpg" src="http://www.kathleenrogers.co.uk/gfx/heartdots.jpg" width="460" height="275" />

<img alt="hearttubet.jpg" src="http://www.kathleenrogers.co.uk/gfx/hearttubet.jpg" width="460" height="275" />

<img alt="heartspin.jpg" src="http://www.kathleenrogers.co.uk/gfx/heartspin.jpg" width="460" height="275" />






































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</entry>
<entry>
   <title>Signal Cascade</title>
   <link rel="alternate" type="text/html" href="http://www.kathleenrogers.co.uk/2006/10/signal_cascade.htm" />
   <id>tag:www.kathleenrogers.co.uk,2006://1.27</id>
   
   <published>2006-10-30T11:28:48Z</published>
   <updated>2007-05-05T17:48:39Z</updated>
   
   <summary> Zebrafish facility at the Hubrecht Developmental Biology Laboratory, Utrecht University The Perishable Soft Image Genes that control other genes have nucleotide seqeunces that are conserved accross the whole animal kingdom. Repeated functions, organizers and zones are transplanted into developing...</summary>
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      <name></name>
      
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   <category term="20" label="current" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="2" label="dna" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="25" label="heart" scheme="http://www.sixapart.com/ns/types#tag" />
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      <![CDATA[<img alt="devbiotrioreal.jpg" src="http://www.kathleenrogers.co.uk/gfx/devbiotrioreal.jpg" width="460" height="111" />

<img alt="utrechtzebra11.jpg" src="http://www.kathleenrogers.co.uk/gfx/utrechtzebra11.jpg" width="460" height="275" />

<img alt="trio1.jpg" src="http://www.kathleenrogers.co.uk/gfx/trio1.jpg" width="460" height="111" />
<div class="caption">Zebrafish facility at the Hubrecht Developmental Biology Laboratory, Utrecht University</div>

<strong>The Perishable Soft Image</strong>
Genes that control other genes have nucleotide seqeunces that are conserved accross the whole animal kingdom. Repeated functions, organizers and zones are transplanted into developing embryonic fish to effect a developmental cascade. The result is mutant individuals in which one body part is replaced by another.

<strong>Chiasm</strong>
A visible x shaped structure formed by homologous chromatids in prophase of meisos and which represents the site of crossing over and exchange of segments of DNA between homologous chromatids (recombination) by the mechanism of breakage and reunion.

<div class="quotation">
The more biologists learn about genes, the less sure they seem to become of what a gene really is. Knowledge about the structure and function of the gene abounds, but also, the gene has become curiously intangible. 

Relating the gene as a molecular biological unit to the gene as Mendelian factor produces internal inconsistencies; but genes have been deeply illusive entities even with the traditional Mendelian framework.

Peter Beurton, Raphael Falk, Hans-Jorg-Rheinberger
<em>The Concept of the Gene in Development and Evolution</em></a></div>

<strong>Time</strong>
Insights into biological phenomena made by molecular geneticists show biological changes in the structure of DNA over time and detail what happens to a molecular structure and gene expression in the period of one mitosis to the next. Chromosomes condense during mitosis and through the motion of intermingling and disentanglement become separate entities. There is a time based "betwixt and between" state in this biochemical condensation that remains unfathomable. In molecular genetics hybrid forms of "betwixt and between" are collected and stored. Potential states of being that are neither fully alive, biologically dead nor naturally self-regulating can be sustained experimentally is a state of permanent existence. Molecular geneticists working on the extreme limits of gene regulation and expression in gene therapy and retro viral research constantly evolve and apply models of this "betwixt and between" state. The chirality, handedness and silencing of genes and proteins can be reworked and re-mapped and provide science with an emergent and phenomenological model of life that correspondingly provides the subtle interactions, cell dynamics and vectors of death. 
<div class="quotation">
Originally, epigenetics referred to the study of the way genes and their products bring the phenotype into being. Today, it is primarily concerned with the mechanisms through which cells become committed to a particular form or function and through which that functional or structural state is then transmitted in cell lineages. In particular, recognizing that there are epigenetic inheritance systems through which non-DNA variations can be transmitted in cell and organismal lineages.

Eva Jablonka and Marion J. Lamb
<em>Annals of the New York Academy of Sciences (2002)</em></a></div>

<strong>Signal Cascade</strong>
In genomic research the epigenetic vectors of death can be reworked to provide images and physical models of cell migration and differentiation. My artistic research is to understand what science knows about genetic transcription and to address what can be registered as occurring during the morphogenesis of a living organism. When biophysicists predict and provide a three dimensional structure of a protein molecule they also generate more extravagant visual complexity in the living cell.  A pool of cells under a light microscope, seen as a swarming colony,  has infinite dimensionality and scale. Ancestral affinities are fluidic.  The appearance of spontaneous correlative phenomena at the level of RNA are visualised using different conceptual and optical tools and techniques.]]>
      
   </content>
</entry>
<entry>
   <title>Zebrafish Zoo</title>
   <link rel="alternate" type="text/html" href="http://www.kathleenrogers.co.uk/2006/10/zebra_fish.htm" />
   <id>tag:www.kathleenrogers.co.uk,2006://1.45</id>
   
   <published>2006-10-25T13:45:12Z</published>
   <updated>2007-05-05T17:48:39Z</updated>
   
   <summary>Zebrafish facility at the Hubrecht Developmental Biology Laboratory, Utrecht University The transparency and motion of the fish coalesce and suggest the change, migration and transcription of bases of DNA Biotic Life In genetic studies, the zebrafish is perceived as a...</summary>
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      <name></name>
      
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   <category term="2" label="dna" scheme="http://www.sixapart.com/ns/types#tag" />
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      <![CDATA[<img alt="zfishfacility.jpg" src="http://www.kathleenrogers.co.uk/gfx/zfishfacility.jpg" width="460" height="275" /><div class="caption">Zebrafish facility at the Hubrecht Developmental Biology Laboratory, Utrecht University</div>

<img alt="zfishtrans.jpg" src="http://www.kathleenrogers.co.uk/gfx/zfishtrans.jpg" width="460" height="275" /><div class="caption">The transparency and motion of the fish coalesce and suggest the change, migration and transcription of bases of DNA</div>

<strong>Biotic Life</strong>
In genetic studies, the zebrafish is perceived as a kind of ensemble of characteristics. Genetic point mutations, deletions and insertions are used to determine phenotypic consequences. The cutting and tearing apart of the zebrafish at the molecular level and observing the regrowth of its body is replayed and replayed as a way of learning and harnessing it's immune system. As the fish are bred their immune defences are both encouraged by the duty of care provided by technicians and tested to the limit by forced mutations.  As living entities they have a twilight biotic existence that is easily interrupted and dependent on scientific interpretation. A surreal counterpart of their functionality as genetic models is their imagined transformation into spectral and mirror images of potential humans.

<img alt="zfishgrass.jpg" src="http://www.kathleenrogers.co.uk/gfx/zfishgrass.jpg" width="460" height="275" />

Zebrafish <em>Danio Rerio</em> is part of a pantheon of model organisms used to study vertebrate development. Zebrafish are used as a genetic model system because they are small, breed quickly and are inexpensive to maintain in large numbers. These characteristics make the zebrafish useful for classical genetic analysis. Classical genetics refers to the search for mutations that distort specific biological events without foreknowledge of the genes or gene involved.

<img alt="zfish1.jpg" src="http://www.kathleenrogers.co.uk/gfx/zfish1.jpg" width="460" height="275" />

<img alt="bwzfish.jpg" src="http://www.kathleenrogers.co.uk/gfx/bwzfish.jpg" width="460" height="275" />

<strong>Breeding</strong>
Zebrafish mating pairs yield hundreds of embryos at weekly intervals. Their mating habits are diurnal, initiated by light. Zebrafish embryos are obtained by placing an adult male and female together in a breeding cage in the evening. Fertilisation occurs externally. Male and female gametes are released into the water and the activated sperm must quickly encounter and fertilise the eggs. The fertilised eggs fall through a mesh at the bottom of the tank. The eggs are then collected and raised in Petri dishes in a temperature-controlled incubator and are accessible for observation and manipulation throughout embryonic development. The timing of developmental events is affected by temperature. Higher and lower temperatures have an effect on the speed of development. The striking transparency of the embryos facilitates the observation of morphological structures <em>in vivo</em> without the need for fixing and staining. The breeding tanks transform the fish into novel living artefacts. 

<img alt="IMG_016425.jpg" src="http://www.kathleenrogers.co.uk/gfx/IMG_016425.jpg" width="568" height="426" />

<strong>Mutagenesis and Transplantation Chimeras</strong>
Green Fluorescent Protein probes reduce the zebrafish to a series of macabre abstractions. Migrating cells are labelled. Genes are silenced and malformations witnessed.

<img alt="zfishtank2.jpg" src="http://www.kathleenrogers.co.uk/gfx/zfishtank2.jpg" width="460" height="275" />

<strong>Faulty Genes</strong>
There are many mutations affecting cardiac morphogenesis in zebrafish and many of these have been identified according to specific genes. 

<img alt="zfishspectral.jpg" src="http://www.kathleenrogers.co.uk/gfx/zfishspectral.jpg" width="460" height="275" />

<strong>Fate Maps</strong>
Absent ventricle, randomised heart looping, no valves, no heart beat, silent atrium, large heart, both chambers beat weakly, reduced heart tissue, isolated cell contraction, spasmodic beat, cardia bifida, no endocardium.

<img alt="heartit.jpg" src="http://www.kathleenrogers.co.uk/gfx/heartit.jpg" width="460" height="275" />

<img alt="zfishtank.jpg" src="http://www.kathleenrogers.co.uk/gfx/zfishtank.jpg" width="460" height="275" />










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